Chamber

You are here: Home - Chamber

  • on a flat stone over his grave (2016) soprano + theorbo

    pdf: download pdf

    This piece was written for and commissioned by Jarring Sounds (Danielle Sampson + Adam Cockerham) for their June 2016 “Elegy” themed concerts in the San Francisco Bay Area. The text is adapted from a portion of the Latin inscription above the tomb of Henry Purcell.

    Applaud so great a guest, Celestial powers.
    Who now resides with you, but once was ours.
    Dy’d! No, he lives while yonder organ sounds
    and sacred echoes to the choir rebound.

    jarringsounds.com

  • Cascade (2016) flute, bassoon + piano

    Written for and dedicated to the Silver Keys Trio

    Score and Recording Coming Soon

  • White Hot Sound (2016) clarinet, bass clarinet, alto sax + bari sax

    Commissioned by the Oxidize Quartet for their album titled “White Hot Sound”

  • When I was sinking down, sinking down (2016) bari sax + marimba

    Written for and commissioned by Kate Duncan and Spencer Poston

    Premiere Apr 30, 2016 at Colorado State University

  • track ii (2016) theorbo


    In the Fall of 2015 I wrote a solo piano piece for Sarah Cahill titled “track”. That work was inspired by this quote often credited to Henry David Thoreau: “As a single footstep will not make a path on the earth, so a single thought will not make a pathway in the mind. To make a deep physical path, we walk again and again. To make a deep mental path, we must think over and over the kind of thoughts we wish to dominate our lives.”

    When granted the opportunity to write a work for Adam Cockerham this text still lingered in my mind. I have since discovered that my book had misattributed the text to Thoreau when in fact it was written by Wilfred Arlan Peterson who was rehashing a concept he claims to have gotten from Thoreau’s “Walden”. While this new theorbo work shares some features of the piano piece written for Sarah Cahill, it may be more appropriate to do my own paraphrase of Luciano Berio. “The completed work is the ritual and commentary of other works preceding it, of more works that will follow. The question does not provoke a response but rather commentary and new questions”.

Back to top